BAHARON PHOOL BARSAO - SARGAM

I am herewith giving the notations of the song in SARGAM. Please note that these are the notations when you play a C chromatic harmonica creating the scale of A minor. Please dont get confused that the note ' GA ' is not the komal ' ga ' of the base raag Shivranjani. With these notations note ' C ' becomes the ' ga ' of scale A minor. Therefore ' GA ' here, is the ' PA' of A scale.Please note that this ' PA ' position remains unchanged irrespective of the scale being a Major or a minor.
Some friends have requested for the hole numbers, since the notation pattern is still to be learnt by them. Our next posting of the same song identifying the hole numbers for practising this song.

BAHARON PHOOL BARSAO = GAGA MA DHA DHANISA... .SA..SASANISA

MERA MEHEBOOB AYA HAI = SASASASA NI- DHA-MAMADHANI-NI

MERA MEHEBOOB AYA HAI = NI - NIDHA DHANISA-SA-NISANI - DHA - DHA

HAWAON RAGNI GAO = GAGA MA DHA DHANISA... .SA..SASANISA

MERA MEHEBOOB AYA HAI =SASASASA NI- DHA-MAMADHANI-NI

MERA MEHEBOOB AYA HAI =NI - NIDHA DHANIre - re -NISANI-DHA - DHA
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O LAALEE PHOOL KI MEHENDI = GA'GA'MA'SA' - SA'- SA'GA'GA'MA'SA' - SA'

LAGAA IN GORE HATHONMEIN =SANISADHA - DHA MA SADHASADHASA-SA

UTAR AA EI GHATAA KAAJAL = GA'GA'MA'SA' - SA' - SA'GA'GA'MA'SA' - SA'

LAGAA IN PYARI AANKHONMEIN = SANISADHA - DHA MA SADHASADHASA - SA

SITARON MAANG BHAR JAO = GAGA MA DHA DHANISA - SA - SASANISA

MERA MEHEBOOB AYA HAI = SASASASA NI - DHA - MAMADHANI - NI

MERA MEHEBOOB AYA HAI = NI - NIDHADHANIre - re - NISANI - DHA - DHA

Teach yourself Harmonica

We are pleased to announce that veteran harmonica player Ramakrishna Sabnavees from Hyderabad has kindly agreed to guide the visitors to this blog on how to learn to play this tiny musical instrument, a long-felt demand expressed by hundreds of music enthusiasts.

Sabnavees, an engineer by profession, is also a self-taught harmonica player and has painstakingly learned the theory and put it in practice over the last five years. He used to play harmonica during his college days but had given it up because of the compulsion of his profession only to pick up after a long gap. Once he decided to take up harmonica he plunged himself into both theory and practice. The result is today he has become a guru who inspires young harmonica players.